v: bio/logic

The Author

A Mention and Respective Diagnosis of Selected Characters:

Please note that the following is in its own grace incomplete, vague, and subject to update and is provided here for convenience and not for informative purposes.

Taurein Ernst - Protagonist antagonized. A dummy in the shape of a boy cast in the form of castigated, repetitive ad nauseam & crucified over an ampersand. In all Taurein's glory, I'd have to say I would love to kill him off within the first chapter were it not for it being told through Taurein's unsteady voice[s] and that Taurein beats me to the job of offing him readily, rapidly steadily. Then again, suicide isn't glamorous. It's just enviable. Only to the most spineless: those who won't do themselves in but border on the threat of having that fake sense of liberation only conviction brings. When the king dies with no heir, this is what kind of a hacked off soul the furies come up with so as to show their malice for the barren. A mistake in terms of flush burgundy neediness, a thinly veiled attempt at the author to confess as many fictive confessions as possible within the context of a work of "fiction."

Imogen Vereict - The quintessential useless female, a mold in the shape of a woman to fit nicely with the palm of, by no means in the palm of, our protagonist Taurein, the quintessential useless male. They're perfect together: had Taurein not the ennui to motivate the pale horse of psychosis, our story would be three words long: Drown her gently.

Mars "Taph" Bachman - Former friend of Taurein. Not the first in the long list of people who have morally fucked him over, but quite possibly the most significant. A vicarious, well-laid plan of escape Taurein seeks to follow by chasing the only meaningful memory has left. The future called to Mars and he readily became its victim. Mars should know, he's been everyone once, he's been everything but there. While Mars plays center to Taurein's rumination unto nausea, the kind some would call need, he makes no actual appearance.

Thomas Iyest - Anti-hero, Anti-Christ. Another old friend of Taurein's. There just in the right way to watch him fall apart in such a way that he can't see himself led to tatters, drawn-out by suggestion and left to dry out in the middle of the desert surrounding Some Random Urban Terrain. Too sane for his own stability, ix withstands all that sweats out of him. By knowing what is going on, he pulls Taurein to the edge of the collapsing universe, throws him into the most absurd conviction, laughing all the way as he walks off, not even needing a key. So slick, his name is two-letters long. A definitive allegory for the fallen and for the hopeful in its own right.

Lucifer Iscariot - What epic isn't complete without the wonderful cameo of the most hated? Oh, but to this day no one has ever declared a war in the name of the devil. You don't know evil. You don't know Jesus.

Sydonia Kore Blight - Mid-wife to Pluto. Taurein's incestual blood-bath princess. Spends winter underground. A young girl left out to die like a dog. An experiment in manipulation, temptation, and the demolition of the idea of a separate, higher pure land. The final devastation upon a burning house that won't fall to entropy. The last and compulsive act of gripping down upon a failed ideal. The failure of absolutism and relativism manifest in the eyes of the daughter of a doctor and a patient throwing a zero into the machinery.

Mogel - ...; The more obscure, the wetter.

"The Other" - Deus ex Obscura. The object of Taurein's constant boyhood dreams, the event that never happens, the knock on the door that no one ever approached, the letter that never came, from a person that never really existed. The most cruel of reified stamina, the most pathetic of destinations. An eschatology for the unempathetic self-proclaimed ecstatic. The inspiration sought in manipulation but never found no matter how many bodies undressed and thrown out over contrived half-accusations, half-whimperings of irrational betrayals. The thing Taurein wants to happen but fears actually having.

Means of Contacting the Author:

I am currently without an address. Emailing me at stereotaxic *&at&^#^ thepatient D9T org will fix that.

Relationship of Command:

Spread the profit's message. Link to...; if so, please inform. Sample tag:

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Disclaimer:

Content on thepatient.org provided by the author to supplement eventual publication, distribution, and dissemination of the novel, The Patient. Material presented lies under a clause of attempted facticity but should not by any means replace truth. Information subject to change, obfuscation, and evolution as the appeal to logic, reason, and truth warrant. Further updates on the status of The Patient will appear within reason, as available, and in a timely manner. The means of publishing, distributing, and disseminating The Patient have not reached a definite finalization and are subject not only to change but complete forfeiture. No agent represents The Patient at this time. Excerpts from The Patient appearing on thepatient.org reflect samples of work in progress subject to further edit, correct, revision, or omission and do not represent any final copy.

The author offers no consolation to the readers whatsoever. The author does not care how brilliant you are. While characters appearing in The Patient may or may not be reappropriated from people the author has come into contact with personally, the author denies all recourse, compensation of any kind, or even explanation to those actually involved in any way. Events are not property, but property based upon fictive interpretations of events remains property of the author. The Patient is a work of fiction and any assassination of character fictional or literal will remain in its context, a fictive act of coping with very real events stemming from tangible experience published a series of confessions the author takes full responsibility for both presenting and holding himself to.

The Patient, thepatient.org, and related material copyright 1999-2003, renewed and clarified 2007, the author. Specified, cited sources property of their respective parties and used in context specifically when possible. No attempt at accurity or acuity claimed herein. Layout, art, html designed by author.

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